classical philology

You are currently browsing articles tagged classical philology.

Mabel Lang taught at Bryn Mawr from 1943 until 1988, and for nearly every semester of those forty-five years she taught elementary Greek. The course became so popular that she often taught two sections, one at eight o’clock in the morning and the other at nine. You can read about her here.

Prof. Mabel Lang teaching, seated at a desk in front of a blackboard.

I thought of Mabel the other day when this essay by Blake Smith appeared in the Chronicle of Higher Education.  It has to do with the writing centers that feature on nearly every college campus these days, and by extension with the teaching of writing generally. In the writer’s view, college writing centers are ineffective, jargon-infested hives of neo-liberal practice, like the assertion that a good essay “delivers value” to its reader, and of progressive theory about race and capitalism. (Quite how neo-liberalism and woke piety manage to sit in the same room goes unexplained.) They fail in their plain duty, to teach students how to write.

I know little about teaching English composition, and the merits of writing centers are not my concern here. I want to think instead about a two-fold assumption that receives only passing attention in Smith’s essay: that the actual delivery of instruction in composition is in the hands of graduate students, adjuncts, and other dwellers on the lower rungs of the academic hierarchy that culminates in tenured full professors, and that instructors of composition and other elementary subjects wish they were somewhere else. As Smith puts it, “instructors at writing centers, chafing at their low status within their institutions and fields, and resenting that they are often called upon to bring students up to speed rather than to do what is perceived as more serious intellectual work, try to give some gravitas to their positions by charging the simple but difficult work of writing with a complicated new conceptual vocabulary or pompous assertions of their own social importance.”

This hierarchical dynamic certainly holds true for my own field. In most colleges and universities, including Bryn Mawr, tenured faculty do not teach the early stages of Greek and Latin, and most would be horrified, I think, at the thought that they should. Recently I suggested to one of my senior colleagues, a retired full professor, that it would be good if people like her brought their accumulated wisdom to the teaching of elementary or intermediate languages. She opined that she didn’t want to take a job away from the graduate students to whom it rightfully belonged. A few years ago, I interviewed at a large, midwestern state university for a job overseeing and guiding the graduate students who taught elementary and intermediate languages. During the interview, I suggested that one of my goals would be to have every member of the department, including senior faculty, teach intermediate Greek or Latin at least once every five years. The learned men and women sat in stunned silence before moving on to the next question.

Many senior college and university classicists, I suspect, have stopped thinking of themselves as language teachers. Their calling, they argue, is a higher one: to convey to students the complex ideas and critical theories that constitute the conversation of the humanities in modern universities. They have spent a lifetime, they might argue, becoming expert in Plato’s metaphysics or ancient religions or Roman political theory, and in the modern ideas, from Althusser to Žižek, that shape those topics. Why should they waste their time with the ablative absolute?

I can think of three reasons: first, to show that they care about the ablative absolute; that is, that they care about the close, analytical reading that lies at the heart of classical studies. (Assuming, of course, that they do believe that—there are signs that the belief is not universal.) Second, to show that beginners and beginnings matter, and so that a first-year student beginning Greek is as important to them and to their professional ambition as a graduate student writing a dissertation on Pindar. (This was the message sent by Lionel Trilling every time he taught a section of the required freshman humanities course at Columbia.) Third, because to teach anything is to set your person before students as an example, and beginning students may need the example of senior scholars.

Is it a waste of time and talent for tenured full professors at the height of their scholarly prowess to teach Greek 101?  Mabel Lang didn’t think so.

~Lee T. Pearcy

 

Update 2/8/2023:  Above I wondered “how neo-liberalism and woke piety manage to sit in the same room ”  A hint of an answer appeared in this essay, also from the Chronicle of Higher Education:

DEI Inc. is a logic, a lingo, and a set of administrative policies and practices. The logic is as follows: Education is a product, students are consumers, and campus diversity is a customer-service issue that needs to be administered from the top down. (“Chief diversity officers,” according to an article in Diversity Officer Magazine, “are best defined as ‘change-management specialists.’”) DEI Inc. purveys a safety-and-security model of learning that is highly attuned to harm and that conflates respect for minority students with unwavering affirmation and validation.

(Anna Khalid and Jeffrey Aaron Snyder, “Yes, DEI Can Erode Academic Freedom,” Chronicle of Higher Education 2/6/2023.)

 

 

 

Tags: , , , , , , , ,

A few words in a book I’m reading set me to thinking. In The Solitary Sphere in the Age of Virgil (2021), Aaron Kachuck writes, “To reintroduce the solitary sphere to antiquity, therefore, is one way of ‘decolonizing antiquity’” (p. 22). The context is a discussion of ways of reading in the Greco-Roman world, and how our assumptions about them reflect a distinctly modern, post-Enlightenment, and European idea of the ancient world. Kachuck wants us to pay attention to what the ancient world tells us about itself—to center their voices, not ours. It’s a good idea with at least one surprising implication.

Nowadays, “decolonizing” some academic field usually means helping those in it to recognize that their view of “the other” is grounded in whiteness, Eurocentrism, racism, the patriarchy, and other bad cooties that cling to us as we trudge through this vale of woe, to repent of these sins, and to set out to do better by “centering the voices” of the formerly subaltern, colonized folks. Classics has been a prime candidate for this reformation because of its entanglement with European and American colonization and imperialism. (Way back in the 1960s, one of my teachers used to say, only half in jest, that the best answer to the question, “What is classics good for?” was “Governing India.”)

Calls to “decolonize classics” often include two elements: changing the name of the field, and deemphasizing or eliminating entirely the study of Greek and Latin. (See for example this article from the now-defunct but still influential online journal Eidolon.) Princeton’s recent decision that its undergraduate classics majors don’t have to know either language, which has its defenders and critics, seems to have come at least in part from the same impulse.

Kachuck’s aside, though, suggests a more radical approach to decolonizing classics. First, though, we have to find the country that needs decolonization. That turns out to be less easy than one might think. Most people, I suspect, would agree with Wikipedia’s tautological definition: “Classics or classical studies is the study of classical antiquity,” which in the western world is defined as ancient Greece and Rome. The more one looks at this thing called “classics,” though, the more it looks like art or pornography. Everyone knows it when they see it, but no one can say exactly what it is, or where its boundaries are. Ancient Greek cities, with agoras, theaters, and gymnasia, can be found in Europe, Africa, and Asia and from Sicily to Afghanistan; ancient Romans, speaking Latin and quoting Vergil, ranged from Britain to Libya and Iran. We lump these two cultures together, but on examination they, and their two languages that inhabit a single academic department, prove to be very different. Only by pruning and shaping this jungle of culture can we get to the idea of “classics” that animates curriculum in schools and universities: a culture, European and western (it was not entirely either), that established the foundations of science and philosophy and left an legacy of imperishable art and literature that can form and educate a human being. But that ideal, cherry-picked “classics” is a creation of the people who use it. We have made it in our own images—and if we have, can we then study it as though it was something separate from us, about which we can have objective knowledge? Classics, like God, often seems in danger of becoming a necessary illusion.

On the first page of his History of Classical Scholarship, Wilamowitz tries to get around this problem by turning his focus from the subject to its object, which he defines as “Greco-Roman civilization in its essence and in every facet of its existence.”[i] That definition begs at least two questions: does “Greco-Roman civilization” exist (and why is it “Greco-Roman”); and does a civilization have an essence? Wilamowitz then pivots back to the subject, the person doing classics, and suggests that classical studies has an aim that transcends a mere desire to know what was going in Athens, say, in 403 BC: “In this as in every department of knowledge—or to put it in the Greek way, in all philosophy—a feeling of wonder in the presence of something we do not understand is the starting-point, the goal was pure, beatific contemplation of something we have come to understand in all its truth and beauty.” Searching for the essence of Greco-Roman civilization, then, ends with the searcher standing before an almost Platonic ideal of truth and beauty.

In this case, I have quoted Wilamowitz not because he was the greatest practitioner of classical scholarship in the first half of the twentieth century, but because his attempt to juggle two ideas is representative of people who try to work out what classics is. The tension between object and subject, between classics as a thing we do and as a thing that does something to us, is fundamental to the modern discipline.[ii] It sometimes looks like an opposition between a scientific, historical, or positivist approach on one side, and humanism or liberal arts on the other. It sometimes looks, as it did to F. A. Wolf, August Boeckh, and the other founders of modern classical scholarship (and as it did to Nietzsche), like a tension between Bildung, formation of character, and Altertumswissenschaft, the scientific study of antiquity. And sometimes, as it did for me during the years that I taught at the Episcopal Academy, it looks like a question that all teachers sooner or later confront: am I teaching a subject, or am I teaching students?

At the foundation of this subject, however, stand two cornerstones: Greek and Latin. Without exact knowledge of these languages, any connection between object and subject, between the scientific study of antiquity and the education of those who study it, becomes impossible. Just as language connects us as human beings to one another, so language makes the only connection that we can have to the human beings who created Greece and Rome, and it is the only tool that we have to see them, as best we can, in their own image, not in ours, and to center their voices—that is, to decolonize them. If we classicists want to decolonize our field, we might begin by renewing our commitment to life-long study of classical languages and to learning them as well as we can.[iii]

~Lee T. Pearcy
April 9, 2022

[i] U. von Wilamowitz-Moellendorff, History of Classical Scholarship, tr. Hugh Lloyd-Jones (Baltimore: The Johns Hopkins University Press, 1982), 1.

[ii] Fundamental as well to the humanities in general, as argued by Paul Reitter and Chad Wellmon, Permanent Crisis: The Humanities in a Disenchanted Age (Chicago: University of Chicago Press 2021).

[iii] This is not to say that the two languages are not subject to the same idealizing and systematizing impulse that created the entire discipline. Greek is not very like Latin and resembles it only because traditional grammars impose a resemblance, and Latin itself is “classical” because the Romans created an idealized form of it.

Tags: , , , , , , , , , , , ,